Painting in Place
February 2021 Group Show Information
FLAVIA BACARELLA
for more info contact artist via her website
flaviabacarella.net
My paintings this year were inspired by the vital beauty of the natural world…in contrast to the troubling reality we have faced in the human domain: from The Apple Tree to Fall Harvest.
This place is a relic from another time. It stands with conviction on a crossroads in the small upstate town of Unionville, NY. It has always appealed to me and finally I painted it.
$450
The Apple Tree is the favorite on our farm. Its beauty this year was unsurpassed. It was the first of many works painted in place during the isolation imposed by the pandemic.
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It was the light beyond the path that inspired this work
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This work was painted in memory of a dear friend whose garden was just blooming in late April/early May.
$450.00
This work I started some years ago but reworked it this summer. Everything …the fall colors, the fields with vegetables, and the workers called out for bringing the painting into the present.
$3500
ELIZABETH HIGGINS
for more info contact artist via her website
elizabethhigginsartist.com
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$1,500
$1,500
$3,500
ARTHUR LEVINE
for more info contact artist via email Arthur Levine
xxxxx.com
While my paintings seem to be figurative, my process is more closely aligned with expressionism. I work with acrylics in a semi liquid state, wet into wet on wood panels.
$4000
$3800
$3800
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WENDY SHALEN
for more info contact artist via email Wendy Shalen
wendyshalen.com
Lately, I am fascinated by experimenting with multiple techniques in kiln formed glass. My subject focuses on how Nature watches as a Sentry as we carelessly destroy our environment.
In my studio since March,2020 I have been drawing and painting figures, posing virtually, in ink, silverpoint, watercolor and gouache, then painting those images in glass and glass Frits.
I was experimenting with drawings from da Vinci and used underglaze pencils on sandblasted glass, then fired the piece to a fuse firing temperature to simulate my drawn works on paper.
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Working directly from the model, I drew her profile with underglaze pencil on sandblasted glass, then added glass Frits and fused all in a high fire glass kiln where magical accidents happen!
$1000
Painting my eyes using underglaze enamel as in peering out from a tree knot viewing Nature’s destruction by humans, I added glass and glass frit and full fused fired the work in a glass kiln.
$1200
This piece focuses on my Self-portrait as a Sentry peering out of a tree knot watching as humans carelessly destroy their natural environment.
$1200
I awoke from nightmares about the terrible risks to everyone during Covid 19, and anxious about the future statistics, I viewed in the glass, patterns of skulls with controversial masks emerging.
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YOOKAN WESTFIELD
for more info contact artist via her email Yookan Westfield
yookanwestfieldartstudio.com/
I am a cat lover. I depicted a cheerful little life of my white cat on canvas which had been painted in Japan around 20 years ago.
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I depicted a cheerful little life of my white cat in canvas which had been painted
in Japan around 20 years ago.
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